Monster mushroom

Our darning mushrooms are always a generous size compared to what is commonly available but this custom order is a monster 95mm diameter. Must be some big holes to mend!

We make small items from production off-cuts to get the most out of the timber we use. This one is made from recycled and plantation timber and neatly justifies all the small bits of beautiful timber I tend to keep around the workshop for years!


We’ve just added SSL to our site as a security upgrade from HTTP to HTTPS.  Our online purchasing has always been via PayPal so all good from the security perspective but now you can have confidence with all your interactions on

14 peg coat rack

14peg coat rack photo by Purdy Buckle

Photo: Purdy Buckle

We made this 14 peg years ago and recently got this beautifully shot and styled photo from the customer with a request for another 14 peg.

12 peg 2m coat racks are the longest we can ship Australia-wide but for Central Victorian locals we can do 3m or over in a single length, depending on the stock we have at the time. The long lengths look great in a big room.

Recovering: It’s been a bad few months for us with the death of my mother and the end of a grey winter sickness in our home. Orders are way behind: I was just catching up when I went down with fevers last week, our daughter had been off school for two weeks.

Today is mild and I’m on my feet — I will get a bunch of stuff made up and packed for shipping tomorrow. I will catch up with all orders soon.

With no back-up staff and little lee-way for when things go wrong in a big way, we realise we are skating on thin ice — despite the excitement and sense of achievement in creating a small business.

Our only buffer has been the patience of our customers. It has been very heartening in these dark times to have a total stranger say “no worries, whenever you get to it” when we respond to their late order inquiry.

So, thank you to our customers who have supported us through this time. One great part of small business is connecting in small ways with people who get what we offer. This allows us to share value in the community; it is these transactions in care that ultimately sustain us.


Sustainable shopping: for eco-friendly jeans, stop washing them so often

File 20170523 5786 1dnc5ea
There is a pair of jeans for every occasion.
Krisana Antharith/Shutterstock

Alice Payne, Queensland University of Technology and Susannah Kate Devitt, Queensland University of Technology

Denim jeans – whether ripped, straight, flared, vintage or raw – are one of the world’s most-loved garments. But from fibre to wardrobe, they have a considerable ecological footprint. The Conversation

Given the diversity of cotton growing enterprises and clothing producers around the world, tracking the environmental impact of a pair of cotton jeans is no simple feat.

But as a denim-wearer you can make more sustainable choices by buying responsibly, extending your jeans’ life with gentle washing and choosing to repair, not replace.

In this guide we’re looking at the key stages of jeans’ life cycle: cotton cultivation; spinning and dyeing; manufacturing, distribution and retailing; and what happens after you get them home.

Cotton cultivation

Let’s begin with the cotton crop, in which water and pesticide use are prominent environmental issues.

Cotton is a thirsty crop, using 3% of the world’s irrigation water on 2.2% of global arable land. However, better management can reduce water wastage and improve efficiency.

Like humans, insects and bugs are attracted to the pillowy white fluff that is actually the fruit of cotton. Traditional cotton farming is chemically intensive, but genetically altered cotton varieties and innovations in integrated pest management have almost halved insecticide use (from 25% to 14% of global insecticide sales) since the 1990s.

Organic cotton crops use no synthetic chemicals, but yields are typically lower than that of conventional cotton, and organic cotton represents less than 1% of the 25 million tonnes of cotton grown globally. Its water consumption is similar to non-organic cotton.

However, organic producers in developing countries can charge a premium for their crops and aren’t reliant on synthetic insecticides and pesticides. If you want to buy organic cotton jeans, you can check for brands accredited by the Global Organic Textile Standard.

To improve cotton cultivation standards globally, the not-for-profit organisation Better Cotton Initiative was established in 2005 to promote more sustainable cotton growing, with better practices across water use, land and pest management and social indicators. Major fashion retailers like Levis Strauss & Co., H&M, The Gap, Kathmandu and Burberry are focusing on sourcing Better Cotton, organic, or recycled cotton for their clothing.

Spinning, dyeing and manufacturing

The process of spinning fibre into yarn, yarn into cloth, and manufacturing cloth into clothes represents some 70% of the total energy consumption of creating a pair of jeans.

The iconic indigo colour and the broken-in look of denim are the result of chemically intensive and high water use treatment processes that can take a toll on workers’ health and safety and impact the environment.

Leading denim brands are actively promoting techniques that limit the chemical and water intensity of wet processing, like enzyme finishing, laser etching and ozone treatments.

Initiatives such as Zero Discharge of Hazardous Waste work across the apparel supply chain to tackle this problem. You can check their website for a list of brands that have committed to better practises.

Denim manufacturing is chemically intensive.
Moreno Soppelsa/Shutterstock

Wearing jeans

It may come as a surprise, but a large part of the environmental impact of a pair of jeans occurs after you buy them – how you launder and care for your jeans, and for how long, can be crucial in minimising denim’s ecological footprint. Throw-away fashion is a huge problem: a survey of 1,500 British women found the majority of garments (not just jeans) are worn as few as seven times.

You can minimise your jeans’ footprint simply by washing and drying them less often. We often launder far more often than needed, and overwashing may be more from habit than actual dirtiness of garments. In a 2012 study, participants wore the same pair of jeans unwashed for three months with no ill effects. Any smells or stains were simply managed through airing or spot cleaning.

Jeans have a patina of use that factories work hard to simulate – but you can develop your own patina through wear over a lifetime.

Forward-looking denim brands are embracing longevity, with Nudie jeans offering repair services, and Levi Strauss promoting durability and a personal connection to one’s clothing.

New business models promote a circular approach to consumption: you can rent your jeans from Mud jeans, and at the end of your jeans’ life, Mud will collect them for reuse or recycling.

Easy steps for buying greener

If buying new, purchase from retailers actively sourcing responsibly grown cotton. Check for standards and certifications like Better Cotton or the Global Organic Textile Standard.

Look for retailers that promote environmentally friendly processes, such as enzyme-washed denim or waterless denim. You can dig into your denim retailer’s sustainability statements on their website to see if they have signed up to initiatives to tackle hazardous chemicals, such as Zero Discharge of Hazardous Waste, or if they have their own scheme in place.

Remember that the most sustainable pair of jeans is the pair you already own. Care for your jeans by laundering them lightly and less often, using a cold wash cycle and line drying. Freshen them up between washes by hanging them in the sun or in a steamy bathroom.

Most importantly, extend their life by repairing them if damaged, and give them that patina of use through wear.

Alice Payne, Senior lecturer in Fashion, Queensland University of Technology, Queensland University of Technology and Susannah Kate Devitt, Research Associate, Queensland University of Technology

This article was originally published on The Conversation. Read the original article.

War on waste: usethings trench

We are very pleased to see a program on waste with broad appeal — ABS’s War on Waste with Craig Reucassel. We watched the episode on plastic bags and packaging last night, it certainly got the kids fired up. #waronwasteau

Dealing with waste has been a long experiment for usethings as a manufacturer, working with our own production and admin waste, and taking plastics out or our packaging is one of our successes.

Our drying rack kit is shipped in recycled card held together with jute string. Like the drying rack itself this is an old mode that predates current solutions, which in packaging is plastic tape, bubble wrap, cling film and shrink wrap. One customer told us she’s still using the packaging string in her garden!

Reducing our single-use plastics is a project for our business and daily life, usethings is that kind of blend for us: a vision for the future and experiments to forge that path.

We can see the pride and skill packaging used to have, it’s quite an art to make an efficient and safe package with string, knots and card — like all crafts it is one honed through repetition, having done thousands of these packages, we can see the shopkeepers of the past must have been packaging ninjas! Japanese still respect and honour this craft.

We  improved our coat rack packaging last year by substituting plastic packaging tape for a paper tape and it works well, although the tape is much more expensive. We still hack up boxes sourced from neighbors and around town to package the coat racks and gum boot stands, it gets quite creative at times solving these puzzles. Box corrugated cardboard is recycled content already so it gets two goes around, and hopefully is recycled by our customers.

We can do this at our hands-on small scale because it matters to us, but there are plenty of bigger companies who manage it too, the packaging of our Opinel knives is brilliant… now we are really geeking-out on cool packaging!


sustainable packaging


Micro-fibers from clothes washing

Our coat rack can help reduce your environmental impact. From research for our drying rack we realised the impacts of washing and drying clothes: there is water, detergents and energy use of course, and now recently discovered is that the micro fibers shed during washing are ending up in our oceans. Do we need to wash so often? With a coat rack you can hang items between wears to air. This reduced washing will also increase the life of the clothes, a win all-round!

Our recycled timber wall mounted coat racks are inspired by the Shaker pegs that lined the four walls of their meeting rooms. They hung up coats, hats, bags, lamps, brooms, even chairs— all tidied away by this simple storage device. Tidy yes, but did you know environmentally positive too?

New coat rack pricing

recycled timber coat racksWe’ve just reduced the price of the longer coat racks. The price-per-peg goes up slightly the longer the rack, as a decent long back-board is harder to come by than a shorter one. This pricing makes the shorter racks better value and uses up offcuts — part of our waste minimisation strategy.

The pricing for the popular 6 peg / 1m was $96 and is now $95, our 12 peg / 2m has gone from $233 to $199 (+ GST).

In reducing the per-peg rate of increase we hope this will encourage more people to get the maximum size rack for their wall, we always think the longer coat racks look great on a wall and offer more storage.

Check out the new prices on our coat rack page.

The rack is back!

We finally have a timber solution and have switched our online store drying rack to in-stock so they are now available to order again.

Apologies for the slow resolution of this. Our material selection ideals caused us to persist in a search for plantation sugar gum — our preferred sustainable timber. With no success in finding a supplier we will switch to using recycled timber for the end-frames and standard hardwood dowel for the rods — our growing waiting list required a solution. The recycled end-frame hardwood source is a reliable existing supplier so we expect to be able to maintain stock.


Drying rack / clothes airer


Greg Stirling at usethings store

We’ll have Greg Stirling’s furniture at usethings store during the Castlemaine Festival 18 to 26th March, open afternoons and weekends. Also Kir Larwill prints and Minna Graham Ceramics.

New server, finally!

We’ve just switched to a new server that will communicate with Paypal for payment confirmation. Apologies to those who have ordered and not received the confirmation in the past few months, a bit disconcerting when shopping online. We did get the payment details direct from Paypal so manually switched each order to “processing”. It was a bit clunky but worked.

Everything seems to be functioning from our end but please let us know if there find any problems with the site or our online store.

Akubra hat rack

Our flat rate shipping makes it affordable to buy our products in remote areas of Australia. We get orders from stations and communities in far flung places. This rack was ordered with extra wide spacing for Akubra hats — it’s got our imagination going, would love to see it in use!

Saff’s Cafe refit

We’ve begun works at the popular Castlemaine Cafe Saffs in late December and over the Christmas closure. First was the counter area with a new counter top in hoop pine ply. Also rationalising behind the counter with storage, work surface and shelf. Plus a bit of painting and patching. Deb brings her catering experience into the design of these spaces with functional flow and storage-at-hand on top of the aesthetic.

Many discussions where had about future possibilities and we hope to partner with Saffs in updating their spaces.




Christmas orders

flat rate shipping usethingsWe’ve gone flat out and just cleared all our pre-Christmas orders. There are still 10 days left and with no backlog we can now get stuff made up straight away and dispatched, so if you are in the Eastern States and you order in the next few days there is a good chance we can get a useful thing to you before Christmas.

In January we’ll be on the go-slow, holidaying and getting sorted for the new year. Our showroom in Castlemaine will be closed. We’ll still process online orders when we are here but they’ll probably take longer than usual.

We wish all our usethings friends a relaxed and restful time.

Drying rack wait list

drying rack rods plantation sugr gum

Drying racks are out of stock temporarily: the usual problem sourcing material. Sugar Gum is a great sustainable timber but hard to get at times. Send us a message via our contact page and we’ll ad you to the waiting list so that we can notify you when we are ready to ship again.

Website back after short holiday

Back online today (yay) and also emails are coming through so apologies if you contacted us or where trying to order in the last five days.

We can only assume the site had a short holiday on a hard drive somewhere in the world: floral shirts and cocktails on the beach, or the virtual equivalent.

Still possibly some funy-business with shipping seems like the split between courier items in Australia and postals items (Australia + the rest of the world) is no longer functioning… shouldn’t have updated it but will get to the bottom of the new system soon.

Shaker inspired export!

Coat hooks all wood rack of pegsOld friends of usethings will know we’ve talked about the Shaker design ethic and how it is one of our influences. The long lengths of coat racks that line the walls of Shaker meeting rooms were the inspiration for our coat rack design.

Actually the Shaker aesthetic is important in all our design.

Well we’ve just made a sale of a coat rack to a customer in Massachusetts USA. This state had several Shaker communities and I’d say the aesthetic resonance of Shaker architecture is still present there. But strangely no one is selling coat racks, which lead Kate to usethings.

It is for a Cape Cod house—original Shaker territory! […] Thanks again and kudos for your wonderful business. I thought I’d be able to find one of these in Massachusetts since you see them often in the charming New England old houses, but, go figure, I found you in Australia! You should advertise in local magazines there—you’d sell a ton.

Thanks Kate. This could be seen as quite an achievement, sending a coat rack to the home of beautiful coat racks!

Is usethings going global? — we sent another 12 peg coat rack to Singapore last month.


An urban workshop? Why office workers want to make ‘real’ things

Sara James, La Trobe University

In March, 15,000 people attended the Lost Trades Fair in the country town of Kyneton, Victoria. Eighty rare trades were on show, including fletchers, bladesmiths, coopers and milliners.

Common household items, such as knives and furniture, were on sale. These were hand-made and very high quality. But the point of the fair was really to see the trades in action, with items handmade in front of attendees.

The event’s organiser, chairmaker Glen Rundell, was struck by the level of interest from the public. He took this to be an encouraging sign that handmade and bespoke trades would not be lost. Instead, they would find a new path as part of a growing enthusiasm for “maker” culture.

Maker culture broadly refers to people applying practical skills to develop new technology products, often involving electronics and robotics, but also incorporating more traditional DIY techniques like woodwork. It is a growing global movement.

Changing nature of work

Maker culture’s appeal is clearly partly due its community engagement and anti-consumption ethos. But it also seems to be a response to conditions of work in the knowledge economy that prevent many workers from experiencing the satisfaction of a job well done.

Maker culture’s appeal is partly due its community engagement and anti-consumption ethos.
Alexandra Hansen

One of the problems with work today is that companies do not value quality-driven work.

Contemporary work is characterised by short-term appointments and flexible workers with transferable skills. According to sociologist Richard Sennett, in contemporary businesses, teamwork is the ethic that governs, with “superficial co-operativeness” taking the place of ongoing commitment to a task.

In many instances, individual performance becomes obscured, devalued, or even ignored. This can kill motivation. As behavioural economist Dan Ariely has noted:

Ignoring the performance of people is almost as bad as shredding the work in front of their eyes.

With most contracts on a short-term basis, the quality of the result produced becomes less important. There is no guarantee that a manager or supervisor will be in place long enough to notice, let alone reward, the efforts of devoted employees. This lends work a surreal quality and renders it less fulfilling.

Author Matthew Crawford suggests that despite the “proliferation of contrived metrics they must meet”, office workers often feel that their jobs lack:

… objective standards of the sort provided by, for example, a carpenter’s level.

In a recent study of Australian workers, I found that some participants were disengaged from work because they felt their efforts did not matter. For instance, a project manager in financial services described her work:

Well, it’s just not real, is it? The whole stock exchange is not real. It’s money filtering into numbered accounts you know, with digit 38451 … it’s not rewarding on a humanitarian level.

In addition, she felt little motivation to try to achieve results for her current employer:

Staying at the one place doesn’t show flexibility; that you can adapt … I don’t know whether people are that interested in loyalty now, they’re interested in people who can get things done fast, efficiently.

Getting hands-on

Two former IT professionals in Melbourne have recently opened a community makers workshop, Splinter & Callous. It offers members the chance to:

… be more than a consumer, be a creator.

The workshop provides space and equipment, and is staffed by experienced mentors in wood- and metal-work. The target market is office workers looking for a chance to get “hands-on”.

Small household items are mostly what is being made. Some of the products include furniture, bookshelves, bike stands, potplant holders and beer caddies. The makers keep the finished products.

One of the workshop’s founders, in his former job:

… felt he was missing out on something by working in an office all day. Spending long hours working on abstract projects with no tangible outcomes, he developed a longing to do something hands-on.

The workshop emphasises the wellbeing of office workers. This is a new direction for the Maker Movement, which has focused on encouraging innovation through events like Maker Faires. Initiatives like Repair Cafes stress sustainability and promote the sharing of skills.

The Splinter & Callous workshop encompasses these aims but adds a particular focus on providing a source of fulfilment that workers in the knowledge economy often lack.

This desire to create something tangible is used in a recent advertising campaign for Victoria Bitter, with the satisfaction of a job well done being linked to a well-deserved drink when a job is completed.

‘Not everyone gets to stand back at the end of the day and have something to show for it’.

Advertisements like this tap into an ethic of craftsmanship. Sennett has defined craftsmanship as “quality-driven work”, not limited to manual trades. Craftsmanship involves becoming highly skilled at a particular task and producing an excellent result. It refers to:

… an enduring human impulse, the desire to do a job well for its own sake.

Unable to produce high-quality, meaningful results in their paid work, people are increasingly looking to satisfy this need in their leisure time.

The Conversation

Sara James, Lecturer, Department of Social Inquiry, La Trobe University

This article was originally published on The Conversation. Read the original article.

Musk Coat Stand

Every now and then we get a beautiful commission. Clients from Musk in Victoria where after a coat stand and hadn’t been happy with anything they’d seen. We got chatting and offered to design one for them. It had to be stable and interesting but they where pretty open to how we resolved that brief.

The Musk Coat Stand is the result. This is a steam bent and laminated hardwood stand with a five kilo solid stainless steel bracket  for strength and stability. This design allows the curves to sweep up and float.

It is rare to have this kind of commission and clients with the vision to support new design. We are thankful for the opportunity to see this piece from concept to reality and are very happy with the result.

All-ply table

Recent delivery of an All-ply table to Stephen Lumb Architect new office in Castlemaine.

Plastic free packaging

plasitc free packagingIn an effort to reduce our single use plastic we’ve got rid of packing tape and started using a kraft paper tape. This is the really nice stuff picture framers use. We already recycle cardboard boxes to pack our coat racks. This one is an awkward pack of  7, 5, and 4 peg racks. It’s a bit tricky without the flexibility of plastic packing tape but it will hold well to get these racks safely to their owner.
This packaging is now on par with our drying rack packaging as far as minimal environmental impact.

Floating shelf

Floating shelf 2016Recent installation of our Floating Shelf. Made from plantation Hoop Pine plywood (E0) and features our box design that hides the fixings.


Floating shelf joinery detail

Joinery detail and the beautiful Hoop Pine ply

Drying racks available to order

We found a small amount of 42 x 19mm sugar gum to use for the end frames but  still no luck with the bigger stuff we need to make the rods from.
So we’ve decided to use commercial dowel for the rods, this is Vic Ash and fine for the task. The reason we stopped using it years ago is the PEFC certification is not very strong as an environmental credential. Otherwise its strength is fine and the colour is similar.
So if you don’t mind this go to our store and place your order, people from the wait-list will get their orders filled first.
I’ve just started making up the end frames today so should be dispatching orders by early next week.
drying rack end frame machining film … yep, really hand made in Australia.


Holiday period orders

We’ll be processing orders as usual right up to Christmas, but after that and in early January we’ll be on the go slow for a holiday. Will be back up to speed by late January.

We won’t open our regular times at usethings store Castlemaine in January, but call if you are in town as we may be near-by and able to meet you at the store.

We hope all usethings friends have a great holiday, plenty of cool swims and some rest.

Cheers from Tim and Deb

Ben Harding podcast

Ben’s new podcast series starts with an interview with Tim Preston from usethings.


Sorry to be a little slow on orders at the moment. Our Kickstarter project for Climb Design is taking off so eating up time. It’s to fund production of a piece of rock climbing equipment LittleHammer, have a look at the campaign 

LitlleHammer Kickstarter

Coat racks shipping out

wooden coat racks

Coat racks waiting to be oiled

A big order of 5 peg coat racks going off to Pinetree Lodge on Lord Howe Island. We recently did another big order for Clear Mountain Lodge & Spa in Queensland. Nice for the turnover but they keep clearing out our stock of recycled backboards!



Branching-millet broomThe branching of a millet stalk makes it ideal for a broom. No plastic fibre can give this density of finer fibres at the end; branching out of the stem; with good stiffness for sweeping. Millet is a strong and durable fibre and doesn’t leave plastic particles as it degrades with abrasion; millet particles will just decompose. Add to this millet is a renewable material and there your have it: the perfect broom.

Branching is mathematically cool, we could get into the Fibonacci sequence: this pattern of branching provides the best physical accommodation for the number of branches, while maximising sun exposure. Now there is good design!

We get these great brooms from the Tumut Broom Factory who have been making the perfect broom the traditional way since 1946. And could keep going forever. Now that is sustainability, or resilience because we’ll always need to sweep.

See more here millet broom,  or drop by usethings store and pick one up.millet broom hand made in Australia


“Energy profit ratio” Nicole Foss

New Greg Stirling pieces in store

   Greg has a new design a Maple settee in usethings store now. He also brought in a Welsh style comb back Windsor and two of his popular Cricket tables; one featuring a shelf underneath. 

Drop by and see this beautiful and comfortable furniture in our store / showroom in Castlemaine. 


Opinel kitchen knife range, new handles

We’ve stocked Opinel knives for a few years now, we love the simplicity and, of course, good steel.

Opinel bread knife new handleOpinel have recently updated their kitchen knife wooden handle designs with simplified, finer lines. I actually liked the old bread knife handle for it’s heft but these new handles, though finer, are long enough to get good purchase when cutting real bread. I suspect the finer handle may even be better for smaller hands.

The blade remains the same: ours at home is still dangerously sharp after more than a year of daily bread cutting, and real bread at that, from our friends at Redbeard Bakery.



Win one of our drying racks from Green Lifestyle Magazine

DR sleeve 3A give-away from Green Lifestyle Magazine, go to this page to enter:

Climb Design & Kickstarter

Rack Sack rock climbing equipment packExperimenting with crowd funding over at our other business Climb Design.

We’ve just launched a Kickstarter campaign to fund the production of Rack Sack; a rock climbing equipment pack we are making with Cathy from Industrial Sewing Workshop.

Learning a lot building a new business, things we can apply to usethings too. Will even try crowd funding for usethings new design in the future.



Stock Vs Repertoire

I’ve come to the realisation that as a maker and a small business we tend not to carry much stock so the things we make are more like a repertoire: the designs are resolved along with the supply, production, and distribution so we make things up on demand. Making it up as we go along kind of covers a lot about usethings!

plantation sugar gum drying rack end frames in productionWe do keep stock of materials so this is possible, and we can run this fine line as most off our suppliers are responsive — the just-in-time method! Though there is the occasional hiccup but we still manage to beat the times of major retailers, and our clients are patient when we contact them personally to let them know what is going on. Good things come out of this scale of business.

So we don’t have container loads of stuff and our showroom is not your usual retail experience. This does free us from the cycle of stocking and moving heaps of high turnover stuff; the mode of retail being one brief step on the road to landfill.

The occasional supply breakdown can push us out to four or five weeks but this is rare; like the recent case of a manufacturer changing their local agent which held up drying rack dispatches while we waited for cord. Mostly we get stuff done within a week and have occasionally pulled off a next day delivery.

Stocking in this way also accounts for the many items we produce from a few basic materials: plantation hoop pine plywood, plantation sugar gum, and recycled hardwood. These materials pass our test for a renewable or recycled material and are also native species, some quite local, so a few ticks there. Also ticks for reducing our waste by designing around production off-cuts.

Repertoire feels kind of right for our range of designs: the word has a sense of art — and there is also the drama when it unravels a bit!


Darning season 

Selling a lot of our darning mushrooms at the moment. One thing about repetition — if you pay attention there are things to learn. After making these for years I just came up with a new process for finishing the underside. This last one was the best I’ve made.

darning mushroom, hand made in Australia

Detail of handle hole in our darning mushroom

usethings finalist in business awards

We are a finalist in the sustainability category at the Mount Alexander Business Awards, winner announced tonight at the Castlemaine Art Gallery.


Installation of a coat rack

Finally got around to making this installation guide for our coat racks. This clip shows how to install on a stud wall.


There is also detail on timber plugs to cover the screw heads: how to setup for them, finish them, and how to get them out if anything goes wrong.

Our racks can also be installed on a masonry wall: a similar process but requiring masonry plugs to be set in the wall to screw into. Contact us if you’d like more information on this and we can supply suitable masonry plugs to match our screws.

Having fun at usethings store

store suspended


Opinel film clip

Workshop floor dust + black dog

black dog on dusty floor

All-ply table — kids drawing space

plywood tableHere’s the latest All-ply table for clients in Castlemaine. Designed for the kids to draw on; the furniture linoleum will easily handle extreme conditions (kids + furniture).

This one is 1800 x 600mm and features an open shelf underneath, and idea we will continue to develop.


I feel fortunate and happy to be living with one of your beautiful tables. Your tables have been in my mind since I first came into usethings a couple of years ago. Your thoughtful design and skilled craftmanship bring a refined warmth and purpose into our home. The girls sit down at the table many times a day to draw and create. Thank you.

Every time we make an All-ply table the design and construction becomes crisper. It’s something about the lightness of touch and accuracy in the build, that gets better each time. It’s quite satisfying when everything goes right, sort of feels in-control. It’s nice as a designer to watch a design evolve like this: the first ten you make the idea is only just coming into the world, after that it keeps maturing. I guess this is what craftsmanship is about.

Continue reading

The Regenerates

A film about the future, Deb heard about this film as she is working with Dominique Hess on the Bull St Terraces — Crosby Architects.

The Regenerates from Phlogiston Creative Industries on Vimeo.

usethings festival

In the spirit of the Castlmaine Festival currently on in town, we’ve done something fun at our store. If you are passing 8 Templeton Street at night this week you’ll see.


Shipping changes

drying rack kit package sustainable packagingIf you are having problems with the shipping part of our checkout  just email and we can process your order.

We are in the process of reseting our online store for customer location based shipping rates. This will incorporate an Australia Post calculator for local and international deliveries of small items. The big stuff will still go by courier and will need a quotation for international deliveries.

This new system will also calculate and handle GST.

This project is kind of complex so until now we’ve just included the average shipping cost and GST in each item’s price. The objective is to offer international shipping on small items as we’ve limited our distribution to Australia up till now.

Part of this is to enable products from our new business Climb Design to be handled by usethings online store, you won’t see them from this site but we’ll be using usethings e-commerce capacity via a back door.

It will take some time to set this up and pricing will be changing. If there are any problems during this time contact us and we’ll sort it out: transactions can easily be revised or reversed. Any feedback will be appreciated as there is only so much testing we can do from this end.


Under the Dome

A powerful film about air pollution in China by Chai Jing.


Gumboot stand update & price drop

Recycled timber gumboot standWe’ve changed the design of our gumboot stand to make it more compact and also to use 16mm sugar gum dowels with rounded ends — offcuts from our drying rack production.

The heavy recycled hardwood base for the 4 pair stand is 800mm long. Store / air / dry your gumboots on our weather proof rack, and make it harder for crawly things to fall in!


In using production off-cuts we are able to reduce the price to $120, this includes GST and delivery Australia wide.

Aliens at Summersalt

Aliens at summersaltJohn Reid from RedBeard, our baker-at-large, found Alians at the Summersalt Festival in Melbourne.

Screen door for Redbeard

Redbeard screen door 2We are down at our favourite bakery RedBeard again. February is their time-out / maintenance period, and usehtings is assisting with a rejig and freshen up. Great to see how the major refit we did a couple of years ago is standing up.

Part of this years work was designing and making a fly screen door for the high-traffic doorway to the courtyard. It’s got to be tough (25mm recycled hardwood frame) and handle being bumped open by staff with their hands full. The angle bracing strengthens the frame and covers the high impact areas of the door to help the extra tough fly wire withstand heavy usage (especially with those who insist on pushing on the wire!). We spent some time today tuning the door closer to get the right swing that will help staff get in and out. As designers we can’t help going back to first principles then following through to make it right. This door is a shift from the symmetry of wooden screen doors that is based on traditional mortise & tennon perpendicular joins. Not many doors are made like that anymore so the contemporary joining methods can now escape the gravity of the past. There you go, more than you wanted to know about a design leap on a simple door in country bakery — who care’s about these small things? We do!

Drop by and check out the great bread and food when RedBeard re-open this weekend and you’ll see Deb’s improvements in display and lighting among the many tweaks that make this a lovely space.

redbeard screen door 1

Paper cranes at our store

paper cranes at storeThis array of beautiful paper cranes at our store are by Una Mitchell, the colours fly in our light filled room.


summer light in planes

from one dimension to three

fly paper cranes

Work stool at usethings store

healthy sittingDrop by our showroom in Castlemaine to see our workstool. This design is the result of a years long research and prototyping process aimed at addressing the effects on our bodies of seated work. We explain more in the article “how to sit”.

We’ve got one in the store now so try it out and we’ll explain the design and reasoning behind the workstool. Seated work can be good for your body and posture with the workstool. Forget ergonomic chairs, this is the answer.

Holidays — usethings showroom opening times

holidayDuring January and February we’ll be away at various times so our showroom — usethings store in Castlemaine opening times will be erratic. We will be in town mostly so can open by appointment any day, call on 0405 564 206 to see if we are around and make a time.

We will be filling orders from our online store through this period but may take a little longer to respond.

We hope all usethings friends have a great holiday.

Bamboo serving boards

A special order for our friends at Redbeard Bakery.


Millet brooms, new usething

millet broom hand made in Australiausethings friends will know how seldom we introduce a new product. It’s our selection criteria, there aren’t many things out there that meet our expectations.

We are excited today to receive our first order of hand made millet brooms from the Tumut Broom Factory, who have been making brooms in Australia since 1946. We love continuity of production and the retention of skills in these fantastic brooms made from renewable materials.

We’ve got a 7-tie woolshed broom for outdoors and a lighter 6-tie for home. Also some neat little hand-whisks.

Drop by our store in Templeton St to have a look at a real broom.

Killed the mobile site

Just found out our shopping cart hasn’t been working in the mobile version of our website (thanks Cathy). The whole mobile thing was all very exciting a couple of years ago when we set it up. We used a third party service that re-rendered our desktop site and it kind of worked but struggled with tricky stuff in our online store. We thought it made us look hip with the technology thing, and we almost where!

So apologies if you’ve been frustrated trying to purchase from our mobile website. We’ve switched it off so you can navigate our base site which functions OK even if the scaling is a pain. We’ll look into getting a responsive design soon.

Bent things: laminating timber

laminating timberThe fun part of being a designer-maker: prototyping. This is a test of the jig and cold laminating hardwood. Timber is amazing in what it can do, here thin strips are glued together and clamped in a jig to form a curved piece that is part of a new design. Experience building ships and boats helps when playing with bending timber. We are lucky to have clients that support this project; after the original request we sent drawings and they liked the design so now we’re making up a prototype. This first test is a proof of concept. All good so far, we’ll incorporate the learning from this process and adjust the design, there are usually some changes once you get to full scale—drawings and 3D modelling is only the beginning of the resolution and rendering of the idea into the real world.

8 x 10 cutting / serving board

8x10 cutting boardWe made up some special bamboo cutting boards for a long table meal featuring local food at The Village in Edinburgh Gardens, Fitzroy Melbourne recently. They where used to serve the lamb and impressed people at the meal so we thought we’d offer them up as a product; a handy compliment to our large round cutting board.

They are 8 x 10 inches, about 200 x 260mm (18mm thick) and made from laminated bamboo, a rapidly renewable material that has the perfect density for cutting boards. Lamination also makes them stable when regularly wet in washing.

As with many of our designs they are available, even though not listed on our online store yet, just email or call to order: Their price will be $30 including delivery in Australia or $22 from our Castlemaine store.

Experimental design

reflector globe lampJust posted some of our old stuff to a new board on Pinterest called experimental design:

Playing with design: materials, ideas, and solutions from what’s at hand. Old ideas and things that never got fully resolved or made it to production. some of it is silly and strange but always fun.

It started to feel like a bit of usethings history looking back over the last 10 years.

This is a the fun bit—mucking around with design ideas, lots of failures, lots of silly things that seemed great in the middle of the night. Some not even destined for products but just our own needs, like this lamp made from a fantastic bulb half-reflector, a gift from our friends at Bluebottle; a quick solution for the kids home-work desk.

Will post more there while in a reflective mood. Also check out out other social media: Instagram, Facebook, Twitter, and Google + if any of these are your mode. And you can follow this blog or subscribe to our email newsletter.

Green power

electricity graphWe are pleased to see our electricity provider ranked best in this green power guide from the Total Environment Centre and Greenpeace. Have a look at:

We think Powershop are cool because of their position on the RET, and the neat energy usage graphing they supply, shows when your peak usage during the day. You can use this to EMS yourself  — EMS  is an Environmental Management System that can be made to the international standard ISO14001, all very formal and audited, but the principle is: find you biggest environment  impact and set a program to reduce it.

In Victoria with our brown coal energy generation, electricity will be the biggest impact for most households and businesses. Graphing of usage is a big help in working out which appliance is using the most electricity. The Powershop graphs use the capability of the smart meter to give hour by hour readings.



Reusing carpet through rEcover: fit-out waste management

ecosoft recoverEnvironmentally savvy Australian carpet company Above Left  recently redirected over 3000 square meters of carpet tile away from landfill with their rEcover program, which is designed to deal with carpet waste from office re-fits. This is a Product Stewardship program that they also apply to other makers products, i.e. taking back all brands of carpet not just their own. See more here.


Tim Preston of usethings developed the Product Stewardship scheme for Above Left as consultant in environmental programs and environmental verification (eco-lables). This Product Stewardship scheme enables EcoSoft tiles to achieve the highest level environmental label ECS level4 which is recognised within the GreenStar building rating system.

Above Left sell the innovative EcoSoft carpet tile (see image) that has recycled PET felt backing instead of the usual PVC or bitchumen backing. Above Left realise the value of environmental programs and have been a pleasure to work for and we are excited by the environmental performance of EcoSoft; not just its innovative backing but in the manufacturers committed approach to addressing the environmental impacts of carpet production.


Commissioned bed-base

We recently completed a commissioned bed-baseD&Dbed featuring Blackwood and recycled timbers. The bed was designed with the clients and has a neat base setup that gives it a floating look; handy for a big bed as it doesn’t overcrowd the room. The wing shelves attach to the base which further minimises the impact on floorspace. It’s designed in three parts which made it easier to move to to where it sits so well in this beautifully crafted home not far from Castlemaine.

We do commissioned works but it often takes a while as we fit it in around orders for our regular products. Some commissions we design then outsource the making, so talk to us if you ideas for your own useful thing.



Green Lifestyle Awards: our drying rack highly commended

drying rack line drawingGreen Lifestyle Awards where announced last night in Sydney. Our clothes drying rack  got a highly commended in the home product category. See the other awards here.

Pleased to see David Holmgren was inducted into the hall of fame, if you ever have a chance to hear him speak he has a powerful and inspiring holistic perspective on how we can live sustainably  — very real analysis of the problems and practical solutions for living, from home to city scale.


GL award

Coat rack pegs in production

Shots from the workshoptimber coat rack pegs

New in store from Greg Stirling

We’ve just got in a couple of new pieces from local maker Greg Stirling. A Windsor carver chair and another cricket table. Beautiful structures both, and the chair is surprisingly comfortable — upholstery looks inviting but we are into firm seats after our research on sitting and the body. The long design heritage / evolution of the Windsor chair means it works well for healthy and comfortable sitting. Come and sit in one at our Castlemaine store.


cricket table Greg Stirlng

Coat rack recycled timbers

recycled timber coat racksWe use recycled building timbers for our coat rack, usually Vic Ash or Messmate, but we take any sound hardwood and reveal its beauty by machining it for the coat racks. Here are some of the colours and features in a recent batch of orders. These have been oiled and are photographed in shaded daylight; colour is a tricky thing on a screen. The colours range from light straw to salmon to brown, and features apart from grain are usually sap veins and nail holes. All back boards are machined and sanded smooth. The pegs are commercial Vic Ash but also vary in colour… timber is a live stuff, thats why we love it and extend its useful life by recycling.


Are you sitting comfortably? Why good furniture helps sustainability

By Robert Nelson, Monash University

Since Marcel Breuer’s Wassily Chair of 1925 the formula for comfortable seating has been known: create a right-angle, open it up a tad, and tip it backward, so that the seat places the bottom lower than the knees. Your weight is thrown back into the angle and your thighs lock your back firmly into the backrest.

Too few armchairs and fewer couches have adopted this simple template, which keeps you comfortable for hours, even though it’s been argued that all chairs are bad for you. You’re much likelier to find Breuer’s reliable comfy formula in somebody’s car than in his or her home. Instead, even in an age of ergonomics, fashion has generated an endless supply of sleek flat-bottomed chairs and couches that you slip out of.

If you don’t have a resented example at home, open your junk mail. An IKEA catalogue will do. Check out Stockholm, Skogaby, Karlstad and Ekerö (before going to sofa-bed hybrids such as Nockeby, Hagalund, Moheda, Knopparp, Friheten). IKEA is far from the worst, because at least it produces Poäng and the exemplary Villstad, which follow the tilted formula for comfort.

If it were only a pain in the back, the perverse box-configurations of contemporary seating furniture might not be so bad. But in my mind, the snazzy designs that now flood the market have a negative effect on contentment, which in turn has a powerful influence on lifestyle and hence patterns of consumption.

Marcel Breuer’s Wassily Chair.
Matthew Benjamin Coleman

We normally speak of the ecological impact of furniture in relation to materials and assembly: are the components recycled or reusable and how much energy or sacrifice of animals is needed for their manufacture? But furniture has a much greater impact on global emissions if you consider that it also conditions the way we lead our lives.

It is difficult to calibrate and prove but I begin with the assumption that the energy that we consume in goods and services (especially services of mobility) is inversely proportional to our contentment as individuals. If we lead a rich domestic and imaginary life, we are less inclined to dissatisfaction, and to make up for it by restless or greedy patterns of consumerism and travel, with their terrible environmental consequences.

IKEA’s Poäng chair.

To lessen our dependence on travel for psychological wellbeing requires other things to fill the void: conversation, reading, music, walking and so on. Having a poetic relationship with your immediate surroundings is one of the elements that makes for contentment and hence sustainability.

It seems unlikely that the character of our interiors would not have an effect on our contentedness. Just think of bald apartments, digs and hotel rooms that you’ve stayed in, where no item resonates with anything in your experience. The prospect of reading a book in the room seems unappealing. You have to get out.

Uncomfortable much?
Simon Berry

The argument is not that an evocative interior will magically make you immune from travel temptation. You ought to be dissuaded from travel by ecological arguments. But as you absorb the pointed cue that environmentalists have told you for decades, you might well look around for aspects of your domestic life that make it easier to follow.

What will make you more contented? What atmospheric appointments make our domestic environments a haven that we want to repair to rather that a place to escape from?

In some categories, such as chairs and couches, furniture has a direct impact on our comfort. But all pieces of furniture, even shelves or wardrobes, are capable of either contributing to our contentment or not. The difference is not necessarily how well the pieces serve us physically – though that is important – but how their function serves us imaginatively, to the point that we relish contemplating their presence.


The stylish chairs and couches with flat or near flat bottoms are uncomfortable for the same reason that they don’t reward contemplation. Their form aspires to abstraction. They figuratively and metaphorically throw you off. They don’t tell stories and aren’t the repository of long traditions. The abstract language of form may have an ancestry in modernist design but the geometric exclusivity that it aspires to refuses to be a vessel for associations or narrative.

Rennie Mackintosh chair.
Universal Pops

Furniture that gives you a toehold on its history and function acts like company: you have a historical interlocutor in the room who reminds you of the growth of conversation, etiquette, dedicated rooms, electric lighting, erotic ritual, reading, gastronomy, music and storage.

The quality and date of the furniture are less important than the imagination that you bring to it. Furniture from an expensive shop may have no greater enticements to rapture than furniture from an op shop. But nor is new furniture excluded, just as second-hand furniture is not necessarily more resonant just by its vintage.

The key criterion in identifying what makes furniture yield contentment is poetic. Is the furniture suggestive? Does it propose a symbolic life or does it recede semantically behind its own formalism, like Schiavello’s Kayt Lounge?

The link between furniture and contentment, and then contentment and sustainability, is the subject of my new book, Instruments of contentment: furniture and poetic sustainability, available as a free download from Craft Victoria.


Furniture is only one category of craft and design that yields contentment by poetic means. The long tradition of craft has generated any number of counterparts in tableware, ceramic, glass and metal that provide similar cues to aesthetic wonder. Any jug or glass or platter can potentially resonate with ancient pitchers, goblets or chargers.

By pondering their design, construction and function, you’re poetically brought into contact with beliefs, rituals and mores that are also explicated, say, by the formidable collection of decorative arts in the National Gallery of Victoria.

Arguably, however, furniture plays a key role in the management of your life and mobile assets: it keeps your shirts and papers in place as much as your bottom, allowing you to organise your spaces by your ideal domestic vision.

Without contact and sympathetic insight into this realm – a world that is either inflected and reassuring or abstract and desolate – sustainability will be harder to reach in our daily lives and impossible to achieve for the planet.

See also:
Unseating the chair

The Conversation

Robert Nelson is the author of Instruments of contentment: furniture and poetic sustainability.

This article was originally published on The Conversation.
Read the original article.

usethings stools at bluebottle interior

Another project with our friends at bluebottle; they used our updated Work-stool and Aliens in this recent interior:

usethings stools in interior design

bluebottle is a Melbourne based design company with expertise in combining light and form in inventive ways. The bluebottle team is accomplished in managing all aspects of a project to achieve an excellent outcome. Company members work across various art forms as creative consultants, designers, project managers and lecturers.

Drawing upon their experience bluebottle have aligned and extended their skills to create a number of portable buildings for specific artistic purposes, such as ANAM Quartetthaus, Art Unit and the Melbourne Festival Hub (in progress). The varied yet specific requirements of much of their work calls for a highly skilled, self sufficient and versatile team.

bluebottle strives to invent new formats across all domains, creating exciting outcomes that challenge and excite. Their work can be seen in theatres, galleries, museums, found architectural spaces and architecture, through disciplines such as music, dance and visual art.


Earlier this year we made the tables for the great debate, and in the past made Aliens for  Melbourne festival Hub, coat racks for ANAM offices, and special lit coatracks for Quartet House .

We love bluebottle, their support of our design and their  belief in us have helped to resolve products and push them to new levels.



We’ve just signed the Castlemaine Divestment Action pledge, a charter focusing action on investment in carbon intensive industries.

We have recently changed our electricity supplier to Powershop, the only retailer that doesn’t want the RET reduced or scrapped. For many years we’ve chosen banks based on their ethical position and currently bank with MECU. Supper is with Australian Ethical and has been for over 20 years.

We take every opportunity to investigate the products we stock, materials we use, and equipment we buy, from the perspective of environmental, waste, climate and labour/social impacts.

These are the decisions that are within our control and how we can individually contribute to change for the better, all for the small effort in changing service providers.

Link to PDF: Divestment   For more info contact: 0459 472 558


Tenth birthday drinks

The last rays of a beautiful day in Castlemaine. Thanks to all those who dropped by for drinks or sent messages. It was a lovely gathering: chilled Champaign, good conversation with our friends in the beautiful garden at No 8, even the kids found a ball and disappeared to play street soccer.10th birthday drinks

Birthday drinks at usethings store Friday

store rusty signCome along to help us celebrate usethings tenth year, drinks at usethings store, 8 Templeton St Castlemaine from 5 to 6pm tomorrow Friday 29th.

How to sit well: usethings Work-stool

We’ve recently up-dated our Work-stool and written more on the design and ergonomics of sitting, see our how to sit page. The new version features a fine stainless steel leg brace to ensure the Work-stools long life. In our how to sit page we better describe and illustrate the design of this stool and how it applies to a healthy and strong posture in seated work.

This winter I left the office to sit by the fire on a couch to work. After a couple of weeks I really noticed the instability in my back, which has been in a very bad way in the past. In addressing back issues, thinking through the design from a body conscious perspective, and trailing versions of the Work-stool / office set-ups over the last few years, we have arrived at a design that enables me to sit for long periods of computer work and has even strengthened my core and back. It does involve a little physical work and awareness to sit well but our Work-stool assists in this and the benefits are well worth it.

The Work-stool will be made to order in the early stages so email for details and time-line. The price from our Castlemaine store will be $420, we are yet to work out distribution or agents further afield.

It’s our birthday!

birthday cake usethings 10thusethings turns ten this August; we’ll be celebrating our mile-stone this week with a sale and a small event at our Castlemaine store.

The beginning is never really a clear cut date as the idea of our business formed from many tributaries over time but August is when we registered the business name in 2004 and started discovering the shape of usethings.

After graduating from RMIT in Industrial Design we moved our new family to Castlemaine and decided the combination of our skills and experience would make a great business.

A NEIS course got us going in the first year and it’s been a continual learning and growing process since.

The first website was a PDF file we managed to publish at our domain — after trying to figure out the server controls for ages. Now it’s a sophisticated site with e-commerce and the power of WordPress and is looking great.

Our initial product was the drying rack and with ad-hoc hard-copy advertising we got it out there; some good word of mouth helped. Slowly we grew our product range and got a better online presence. The early days where order by email contact and we miss the little chats with each customer but the ease and security of online purchasing is better for all.

In 2011 we opened our Castlemaine store, began to launch new products, and stock select useful things from other makers. The store is a great way to express our business and the many conversations there has helped our ideas coalesce. It’s worth all the hard work when people get what we are on about; it’s still a great feeling when they take one of our useful things home.

As a way to thank our customers and followers from these past ten years we are having a 10% sale on everything  this week from Sunday 24th to Sunday the 31st. We’ll post out a discount coupon for online store purchases to our mailing list, so just sign on here anytime this week, or come in to our Castlemaine store next Friday 29th and Saturday 30th.

Coat rack install

coat rack simonSimon in Melbourne installed a couple of our racks; he had a hard time fixing to a hard plastered masonry wall which is pretty tricky. Simon sent us this great image.

 …I put them up on the weekend – look great, extremely happy with outcome but had to use some additional fixings as the hard plastered masonry walls I mounted them on were pretty ‘random’ as a substrate! I was supplied with 5 plugs and ended up doing four fixing on each one (half went into mortar that was as good as flour). Tried to find equivalent plugs but no joy. Was just wondering whether you could shoot me through 4 more timber plugs?”  

We posted him some more plugs.

Coat racks in new magazine

Homes + featured our coat racks in a shoot for their page 12 DIY ideas.solid timber coat rack from usethings

Darning mushrooms

darning mushroom with needlesNew images for our darning mushroom, get those repairs done now while the winter inspiration is there! Hand turned in Castlemaine and made from plantation Sugar-gum. Features a needle store in the hollow handle.

Alien flat-pack stool

Laser cut plywood stool
We’ve been getting a lot of social media interest in our laser cut plywood flat-pack stool so we thought we’d repost about them.

Our Alien stool is designed for efficient use of materials; ten Aliens come from one standard sheet of plywood. This is achieved by the careful geometry of the ‘nested’ parts—leg sections sit side by side inverted, and the seat parts from inside the legs; all the joints are laser cut too.

This careful geometry has a pleasing resonance in the assembled form, but the important thing is there is very little waste in production. Ply is efficient in itself as it converts more of the log to usable timber than sawing for boards. Aliens are made from E0 plywood (lowest formaldehyde emissions) QLD plantation Hoop Pine (Northern Australian native).

Due to the nesting Aliens can be flat packed for transport or storage. Alien is: strong, practical, efficient, durable, and fun. It’s about bums-on-seats with less materials, less waste.

This is the 4th incarnation of our Alien, each time we’ve fine-tuned the design but this time we are highlighting  the nesting and efficient process of laser-cutting by making a feature of the burnt edge. This sits well with the simplicity of the design, and the process that results in a great little stool.

We tend to do them in batches to order so generally don’t carry them in stock or on our online store but email if you are interested. Our Aliens in the natural wax finish pictured are $130 each and 410mm high.

usethings on Instagram

Our patience for social media fluctuates, but this one looks like it might be a fun and a creative output. To be honest as designers and visual people we both often only look at the pictures!

Click on this icon to go to our Instagram page and watch us flail with yet another new media!


Drying rack…

“Just a word of thanks for the clothes rack which Tim installed for us in Maldon recently. During these cold wet days it must have saved us many dollars, and the country a small amount of carbon emmissions in power not used on a dryer. It truly works brilliantly using all that spare heat near our 3,7m ceiling.” drying rack white cloth

Celebration gift voucher for image or story

To celebrate the decade usethings has been making and selling useful things, we are offering prizes to our past customers.

We send out our products and often wonder what sort of life they have in their new homes. We’d love to see or hear about your usethings installation. There are two prizes, one for the best image and one for the best story.  The prizes will be a $50 voucher to use at our online store or Castlemaine store.

This is also a way of thanking you: our customers who have helped us get to ten years.

Email your entry to us at: by the 24th of August; we’ll be publishing them on our website.

More fun to come throughout the month of August as we officially turn ten. We’ll have an afternoon tea at the store, hopefully launch a clever new stool (if it’s ready in time) and more give-aways. Check here or on our social media pages.


double row coat rack carolyn

Green your laundry

timber clothes drying or airing rack from usethings. sheila maid“By cutting the dryer out of the equation–even if it’s only part of the time–you’ll save even more money. Your dryer checks in at number two on the list of household energy hogs (right after your fridge), costing the average household more than $96 per year in energy, according to the U.S. Department of Energy. So going with clothesline or drying rack can help you save on your utility bills–or eliminate the need for buying and maintaining an extra appliance altogether…”

Excerpt from Treehugger:

Four metre coat rack

In the workshop today: images of a 4m / 24 peg coat rack (pictured un-oiled), this one is Vic Ash. It’s made from two 2m lengths as it is going to Sydney and 2m is the maximum our courier will carry. The close-up below shows the butt join and we’ve carefully matched the grain in the two recycled back-boards. We’ve had a few long coat rack orders lately; also making up a 14 peg 2.33m coat rack that will be picked up from our Castlemaine store — so avoiding the courier limit. We regularly get 3.6m lengths for the back boards so can go up to 22 pegs in a single run. Our coat rack looks great in long lengths like this and you can hook anything on: bags, jackets, dog leads, umbrellas… it’s such a simple storage device.

4 metre timber coat rack 4m recycled timber coat rack 4m timber coat rack butt join of 2m sections

Windsor Settee from Greg Stirling

hand made winsdor setteeWe’ve got a new Greg Stirling piece in our Castlemaine store. This is a three seat settee in Ash with a beautiful blackened finish. If you haven’t tried sitting in one of Greg’s chairs drop by and get a feel for the comfort of sitting in a hand crafted chair.

Winter at the store

castlemaine store signDespite the grey weather we had quite a few visitors to our castlemaine store today.

After many requests we’ll be offering our hanging jar displays for sale, made from an old Fowlers jar, hemp rope and a plywood hook. We finally found a supply of good hemp rope which is not easy to come by.

Happily sold out of darning mushrooms, good to see people are getting their winter woollens sorted… all those warm toes. We’ll get more made up next week.

Trivets to put your hot soup on the table sold out too, will be making another batch as well.

All this rain brings its back-up of washing, have a look at our drying rack if you need a great winter drying solution.


Don’t throw out short pencils

pencil extender lengthener
We don’t add a new product from other makers very often, there are few things that resonate with usethings ideals — beautiful and useful things. So this one caught or attention recently, a simple device to extend worn-down pencils so you can keep using them till the last, much much better than throwing them out or leaving them to languish in the bottom of a drawer.

Now we’ve ratted around and re-commisoined all our short pencils. You might recognise these from the Esher sketch of two hands drawing each other, we didn’t know they where still in production. They are made by Lyra, a company that has been going since 1806 – we like continuity of production, they claim to have the oldest trademark in existence.

It’s taken a while but we’ve got a supply of these and they’ll be in our Castlemaine store today; we’ll get them into the online store soon.Lyra pencil lengthener

Darning season

We’ve just made up some of our darning mushrooms, in time to fix your winter socks and jumpers. Get your toes warm back inside your favourite pair of socks or revive your comfy woollens. We go for repair rather than replace, and proudly show it by darning in outrageous colours. The darning mushroom is an old tool from when a good pair of socks was not so easy to come by.

Our mushroom features the biggest innovation since darning mushrooms began: darning mushroom 2.0 — it’s a hollow handle to keep your needles in (no excuse that you can’t find your needles now — our mushroom even comes with a couple of needles to get you started) with the added benefit of lightening the overall mushroom for those into racing darning, or packing light on high altitude climbing expeditions.

The tops are turned by hand in our workshop in Castlemaine and are made from off-cuts from our drying rack production. The timber is sustainably harvested plantation sugar gum which is surprisingly dense and turns up beautifully just buffed on the lathe, see clip below.

Greg Stirling Cricket Table in store

Oak table small, occasional, bedsideWe’ve just got one of Greg’s beautiful little oak Cricket Tables in our Castlemaine store & showroom. These are a utilitarian design dating back to the 17th century. “Cricket” in country vernacular referred to anything small; as-in cricket, the small insect. The three-leg design means it is stable on rough floors, but these days they see service in contemporary interiors as: lamp tables, bedside tables, coffee tables, anything really. The sturdy construction with through-joints and solid oak means this table will last  at least until another oak grows — these traditional designs have a proven track record.

See more of Greg’s work here.


usethings interiors

interior design

This project has transformed the spaces in the home and given its occupants open living and a beautiful, functional, kitchen with views across the deck to the creek below. The key has been bringing cohesion to all the existing spaces in a building that has had several distinct periods. The projects success is a testimony to collaboration between Deb, the clients, and the tradesmen. It involved removal of a walls, laying recycled floor boards, plastering, skylights, and resolving roofing structures. With a great team of tradesmen, beautiful cabinet work by AG Kitchens of Castlemaine, and very careful planning, all this was achieved in a six week period whilst the owners where away; returning home to a functioning and clean home (all the rubble gone). It’s Debs credo that the fine details and warmth are seen too, even after major works have been accomplished—a home is more than its physical elements. Most importantly a home must be autobiographical of its occupants, not the designer. It has been great to revisit the site this week and see how the family has so easily settled into the new space.

See more on usethings interior work here.

Coat rack dispatch time 4 days

coat rack / coat hooks / coat pegs, all wood rack of pegsJust worked out our average time from order to dispatch with our  wall mounted coat racks: it’s four days. Not bad as we make up each rack by hand. A few times we’ve even got racks made and delivered overnight into Melbourne. Delivery time varies from:

  • Next working day — Melbourne, Geelong, Albury & Central Victoria
  • 1 to 2  days —Sydney, Canberra, &  Adelaide
  • 2 to 3 days — Brisbane, Newcastle, Hobart & Launceston

We’ve delivered all over Australia with our courier and have never had a lost item in our ten years of operation.

So you can order here and have your rack ready to put up with the screws supplied in a very short time. A great way to keep coats, hats, and bags at hand; reduce the stuff the kids leave about the house or make a feature/display of beautiful things with our beautiful recycled timber coat rack.



New Greg Stirling chair

Comb-back webWe’ve just got a new Greg Stirling Windsor chair in as the “lobster Pot” sold. This is a “Comb Back with extension” made from ash, some local and some imported. Come and appreciate it’s beauty, craftsmanship, and comfort in our Castlemaine showroom usethings store at 8 Templeton St. We’ll be getting more of Greg’s work in soon.

Unseating the chair

By Elizabeth Dori Tunstall, Swinburne University of Technology

Chairs are a health hazard – that is according to Galen Cranz, U.C. Berkley Professor of Architecture and author of the book, The Chair: rethinking body, culture, and design. She states in a 1999 article:

If the designer wants to create a chair, narrowly defined as supporting the classic right-angle seated posture, he or she will be forever chasing the problem of instability throughout the body. Designers notice the sliding-forward problem, so they cant the seat up. This creates a problem in the hip joint so they compensate by opening the angle of the chair back. But this creates problems in the neck which people solve by drawing their heads forward and collapsing their chests. To look up at others with the neck so drawn forward rotates the head back and down, interfering with the primary control described earlier. In addition, chair sitters absorb some of the problem in their ribcage.

Our human bodies were not designed for right-angle seated posture.

In fact, the origins of chair design and use were to seat the sacred bodies of ancient rulers on thrones and klismos (e.g. ancient Greek chairs). Cranz describes how the archaeological record found the first chairs in Egypt and Mesopotamia around 2850 BCE. As described by design historians, from the Renaissance through the nineteenth century, “people of status” used chairs while the masses used benches and stools.

It wasn’t until after the Industrial Revolution and the mass manufacturing of furniture, especially the emergence of the Thonet No. 14 bistro chair in 1859, that chairs became affordable for the masses.

The myriad of changes in the materials, forms, and manufacturing processes of chairs over the last century of modern chair design, including the focus on ergonomic chairs, does not take away from the fact that the basic design of the chair is bad for the human body.

So if chairs are a health hazard, why do we still use them? Cranz argues that it is because chairs allow people to display their status to each other. The person who owns an original Mies van der Rohe Barcelona chair is judged to be more educated, affluent, and refined than someone who owns am IKEA Poang armchair. But there has to be greater social value to chairs than that, yes? Maybe, there is not one.

The ‘Triad of Limitations’ and the social value of the chair

One of the key figures in design anthropology is designer Victor Papanek. In his book Design for the Real World, he introduces Robert Lindner’s concept of the Triad of Limitations as a framework to evaluate the social value of designs.

Triad of Limitations as described by Papanek and Lindner.
Illustration by Elizabeth Tunstall

The first limitation is biological. As humans, we seek to protect against and extend beyond the weaknesses of the human body. The second limitation is that of habitat. We seek to overcome the barriers of the natural elements, space, and even time that limit human movement. The third limitation is death itself, in which we seek immortality.

How is the Triad of Limitation to be used? Papanek quotes Lindner:

If there is a purpose to life, the purpose must be to break through the triangle that thus imprisons humanity into a new order of existence where such a triad of limitations does no longer obtains…Thus the value of an item of knowledge, an entire discipline, or a deed of art can be placed upon a scale, and its measure taken.

How does the chair measure up? Does it help us humans break through our biological, habitat, or mortality limitations?

The chair at the centre of the Triad of Limitations.
Illustration by Elizabeth Tunstall

According to Galen, the chair is biological health hazard, which exacerbates our body’s weaknesses instead of reducing them. So no, it does not break through our biological limitations.

Does the chair protect us from the natural elements or help us transverse space and time? In a natural disaster, you might go under a table, but not a chair. Astronauts might sit in chairs when they go to space, but the chair does not directly allow humans to break through time and space. Thus, it fails the limitation of habitat measure.

Do chairs extend our lives? No, in fact our sedentary lifestyles seem to be shortening our lives even after some great medical advances in the mid 20th century.

Thus according to Papanek and Lindner’s framework, the chair lacks social value in terms of helping humans break through our three major limitations. So, why are we still making and sitting in chairs?

Perhaps the Triad of Limitations has it own limitations as a framework for determining social value. I have been dissatisfied with the fact that it hinges on addressing negative human fears of bodily injury or harm, of confinement and control by nature, and of death.

The Triad of Well-Being and the social value of the chair

Influenced by the literature on subjective well-being, a couple of years ago, some students and I created the Triad of Well-Being to provide a more positive measure of social value for the evaluation of designs.

Triad of Well-Being by Elizabeth Tunstall.
Illustration by Elizabeth Tunstall

The Triad of Well-Being focuses on the life affirmations that individuals and societies receive rather than on those things which we fear. A sense of belonging is the first aspect. Belonging is defined as the extent to which we feel mutual and secure affinity towards others. Psychological studies by Roy Baumeister and Mark Leary have demonstrated:

The need to belong is a powerful, fundamental, and extremely pervasive motivation.

The second aspect is recognition. We describe it as the identification and acknowledgement of the specialness of an individual or group as part of the appreciation for diversity. The third aspect is self-determination. This is the extent to which an individual or group feels they possess the skills, control, and contextual knowledge to be motivated into action. Self-Determination Theory is its own sub-theory within the field of well-being studies.

How does the chair measure up to these three positive criteria?

The chair at the centre of the Triad of Well-Being.
Illustration by Elizabeth Tunstall

Does the chair contribute to a sense of belonging?

It is possible to build a sense of community from the symbolism of having a specific brand or type of chair. One might feel an attachment to a specific chair. But belonging in the social sense is not inherent in the function of the chair.

In fact, the design of the chair lends itself more towards separation and individuation between people. The seat is often meant to hold only one person. Its mobility can encourage distance as well as closeness. Of our manufactured seating choices, the bench affords a greater sense of belonging because one must sit in more direct physical contact with others.

Because of its history as a form of status display, the chair does contribute to recognition. The social hierarchy built into the origins of the chair is reinforced in English language speech conventions such as the academic department chair or chair of the board. We describe positions of power as chairs because originally only the people with power had them.

Does the chair contribute to self-determination? The successful assembly of an IKEA chair may provide a temporary sense of skills, control, and contextual knowledge that contributes to a sense of self-determination. Yet, the assembly of an IKEA bookshelf might generate a deeper sense of accomplishment. Beyond the self-determination we assign to basic consumerism, the chair itself does not contribute much to the sense of self-determination.

Thus, the chair fails in two of the three criteria for evaluating the social value of a design based on the Triad of Well-Being. It succeeds in recognition by making manifest the hierarchies of status, which probably does not enhance social well-being overall.

The social value score card and un-designing chairs

The Social Value Scorecard and the chair
Illustration by Elizabeth Tunstall

I propose that we should stop designing and sitting in chairs. One of the distinctions that I maintain for design anthropology is that it advises people as to where they should stop designing because the designs hold limited social value. The Triad of Limitations and the Triad of Well-Being are two frameworks that can assist us in figuring out what we really need that allays our fears and contributes to our well-being. If a product or service does not contribute to at least four of the social value criteria (both positive and negative), then maybe it should not exist.

What are some products or services that fail to provide social value and thus should be un-designed? I would be interested in seeing your ideas.

The Conversation

Elizabeth Dori Tunstall does not work for, consult to, own shares in or receive funding from any company or organisation that would benefit from this article, and has no relevant affiliations.

This article was originally published on The Conversation.
Read the original article.